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Meditate Through Creativity
I see myself continuing my visual research into the broad history of Art and Design through three mediums; the Chinese ideogram as a vehicle for object identity, the personal identity as a purveyor of collective identity in painting, and the writing of ideograms spatially into immersing experience using the act of each stroke meandering as space making.
My pursuit of these references began with my previous studies of semiotics and the role of physical gestures, as portrayed in historical Chinese paintings, in conveying narrative on operative sequence. More recently my scholarly pursuit of these subjects has focused on the building of a compound balance for engaging our thoughts.
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Work in collection of
1998-Present, 300+ works in private collections internationally
2005 Sichuan Fine Arts Institute, ChongQing, China
2007 Academy of Art & Design, Beijing, Tsinghua University